auto-editor-transitions
Add transitions at auto-editor's cuts — cross-dissolves, Premiere Pro's transitions (push, clock-wipe, glitch, page-peel, iris-round, and the rest, including its Legacy folder), and audio crossfades — and carry them into Premiere, DaVinci Resolve, Final Cut Pro, Shotcut or Kdenlive. Use when someone wants smoother cuts, fades at the start and end, a particular transition, or transitions that survive an editor export or import.
How do I install this agent skill?
npx skills add https://github.com/wyattblue/auto-editor --skill auto-editor-transitionsIs this agent skill safe to install?
- Gen Agent Trust Hubpass
This skill is a technical guide for using transitions in the auto-editor tool. It contains no malicious code, suspicious commands, or security threats.
- Socketpass
No alerts
- Snykpass
Risk: LOW · No issues
What does this agent skill do?
Transitions
--transition KIND:DURATION[:MIN-CUT] puts a transition at each cut auto-editor
makes, and at the start and end of the timeline. The video and audio
transitions are linked: they cover the same span.
auto-editor video.mp4 --transition dissolve:1sec # cross-dissolves, fades at the ends
auto-editor video.mp4 --transition push:0.5sec # a Premiere Pro transition
auto-editor video.mp4 --transition clock-wipe:1sec:0 # at every cut, however short
auto-editor video.mp4 --transition constant-power:1sec # audio crossfade kind; video dissolves
DURATION: how long each transition lasts (0.5sec, or a bare frame count).MIN-CUT(default1sec): skip cuts whose removed source is shorter than this, so trimming a short pause stays a hard cut instead of a stutter.0transitions at every cut.
A transition draws on the footage that was cut out (its handles), so:
- it may be shortened, or skipped, when a clip or the removed stretch is too short to support it;
- whatever was in the removed stretch shows mid-transition. If that's filler
you don't want seen, keep transitions short or raise
MIN-CUT.
Kinds
Every transition Premiere Pro has, under its Premiere name in lowercase with
dashes. Those in its Legacy folder that share a name with a newer one end in
-legacy. They play at Premiere's default settings.
| Group | Kinds |
|---|---|
| Dissolve | dissolve, additive-dissolve, blur-dissolve, burn-alpha, dip-to-black, dip-to-color, dip-to-white, film-dissolve, luma-fade, morph-cut, mosaic |
| Animation | block-motion, flip-motion, fold-motion, pop-motion, pull-motion, spin-motion, spring-motion, travel-motion |
| Grunge & Distort | chaos, earthquake, flicker, glass, glitch, grunge, kaleidoscope, liquid-distortion, tv-power, vhs-damage |
| Lights & Blurs | burn-chroma, chroma-leak, cross-zoom, directional-blur, flare, flash, glow, lens-blur, light-leak, light-sweep, phosphor, radial-blur, ray, solarize, stripe, zoom-blur |
| Slide | 3d-roll, film-roll, push, roll, slide, split, stretch, whip |
| Smart Tools | motion-camera, motion-tween, shape-dissolve, shape-flow |
| Text | text-animator, typewriter |
| Transformers | 3d-spin, 3d-spinback, frame, louver, mirror, page-peel, slice, wave |
| Wipe | clock-wipe, linear-wipe, neon-wipe, panel-wipe, plateau-wipe, radial-wipe, soft-wipe, star-wipe, stretch-wipe |
| Immersive Video | vr-chroma-leaks, vr-gradient-wipe, vr-iris-wipe, vr-light-leaks, vr-light-rays, vr-mobius-zoom, vr-random-blocks, vr-spherical-blur |
| Legacy | additive-dissolve-legacy, barn-doors, center-split, clock-wipe-legacy, cross-dissolve-legacy, cross-zoom-legacy, dip-to-black-legacy, dip-to-white-legacy, film-dissolve-legacy, inset, iris-box, iris-cross, iris-diamond, iris-round, non-additive-dissolve, push-legacy, radial-wipe-legacy, slide-legacy, split-legacy, whip-legacy, wipe |
| Obsolete (no longer listed in Premiere) | band-slide, checker-wipe, cube-spin, flip-over, gradient-wipe, page-peel-obsolete, page-turn, venetian-blinds |
dip-to-color dips to the timeline's background color (-bg).
Audio. A video kind gives the audio a plain crossfade. Audio has three
kinds of its own: dissolve (Premiere's Constant Gain; constant-gain is
accepted too), constant-power and exponential-fade. Naming one of those
keeps the video a cross-dissolve.
How close to Premiere. auto-editor renders every kind itself. Compared
frame by frame with Premiere's own renders, push, clock-wipe and
barn-doors match to within encoding noise and page-peel is close; the
others haven't been measured. Expect simple dissolves and wipes to be near, and
effects like glitch or light-leak, which draw their own noise and colors,
to differ. For Premiere's exact look, export with premiere-otio and let
Premiere render them.
Per-transition control: v3 timelines
--transition uses one kind everywhere. For a different kind or length at
each cut, export a v3 timeline, edit its transitions key, and render it:
auto-editor video.mp4 --transition dissolve:0.5sec --export v3 -o edit.v3
# edit edit.v3, then:
auto-editor edit.v3 -o out.mp4
"transitions": {
"v": [[{"kind": "push", "at": 300, "dur": 15, "alignment": "center"}]],
"a": [[{"kind": "constant-power", "at": 300, "dur": 15, "alignment": "center"}]]
}
at is the edit point in timeline frames, dur the length in frames, and
alignment is start (a fade in from a clip's start), center (across a cut
between adjacent clips) or end (a fade out at a clip's end). Video tracks take
video kinds; audio tracks take dissolve, constant-power or
exponential-fade. See https://auto-editor.com/docs/v3.
In editor exports
| Export | What arrives |
|---|---|
premiere-otio | Every kind, as Premiere's own transitions. Of the obsolete kinds, Premiere still reads page-turn and page-peel-obsolete; the others are sent as a dissolve, since Premiere would drop them and leave a cut. |
premiere, resolve-fcp7 (FCP7 XML) | Cross Dissolve; the dips (as Dip to Color Dissolve, which Premiere reads as its Dip to Black or White); wipe (as Edge Wipe); Cross Fade (0dB) or (+3dB) for audio. Every other kind becomes a dissolve. |
final-cut-pro, resolve (FCPXML) | Cross Dissolve spine transitions. |
shotcut, kdenlive | Same-track dissolves and crossfades, fade filters at the ends. |
v3 | Every kind, unchanged. |
To bring the kinds into Premiere, use premiere-otio. v1, v2 and
clip-sequence exports drop transitions; a clip sequence's files are separate,
so a transition between them has no meaning.
Importing
FCP7 XML and FCPXML imports read the transitions those formats name: Cross Dissolve, Additive Dissolve, Dip to Color Dissolve (black or white by its color), Edge Wipe, the Irises, Page Curl, Star, Cross Fade (0dB/+3dB), and Premiere's names generally. A name it doesn't know plays as a dissolve.
Recipes
auto-editor talk.mp4 --transition dissolve:0.3sec # soft cuts in a talking-head video
auto-editor vlog.mp4 --transition whip:0.4sec:2sec # whips, only where 2s+ was removed
auto-editor podcast.mp3 --transition constant-power:0.2sec # audio-only: smooth crossfades
auto-editor video.mp4 --transition push:0.5sec --export premiere-otio # finish in Premiere
For cutting itself (edit methods, margins, pace), see the auto-editor skill. For editor exports in general, see the auto-editor-export skill.
How can the creator link this skill?
Add the canonical catalog link to the repository README so users can inspect current installs and available audits. The publishing guide covers the complete discovery path.
<a href="https://skillzs.dev/skills/wyattblue/auto-editor/auto-editor-transitions">View auto-editor-transitions on skillZs</a>